Main Content
Melinda Newman, "Women in Music 2018 Executives of the Year," Billboard (December 6, 2018), read all
6.1
https://www.billboard.com/articles/events/women-in-music/8488600/billboard-women-in-music-executives-of-the-year-2018/
Michele Catalano, "Jonathan Coulton vs. Glee: It's About the Ethics," Forbes (January 27, 2013)
1.7.5
http://www.forbes.com/sites/michelecatalano/2013/01/27/jonathan-coulton-vs-glee-its-about-the-ethics/
Mike Masnick, "RIAA Totally Out of Touch: Lashes Out At Google, Wikipedia And Everyone Who Protested SOPA/PIPA," TechDirt (February 8, 2012)
7.1.12
http://www.techdirt.com/articles/20120208/01453517694/riaa-totally-out-touch-lashes-out-google-wikipedia-everyone-who-protested-sopapipa.shtml
Mike Masnick, "Understanding David Lowery's Lawsuit Against Spotify: The Insanity of Music Licensing," Techdirt (January 5, 2015), read all
9.1.2
https://www.techdirt.com/articles/20160101/01203133219/understanding-david-lowerys-lawsuit-against-spotify-insanity-music-licensing.shtml
Mitch Stoltz, "The New Music Modernization Act Has a Major Fix: Older Recordings Will Belong to the Public, Orphan Recordings Will Be Heard Again," EFF (September 19, 2018)
3.8
https://www.eff.org/deeplinks/2018/09/new-music-modernization-act-has-major-fix-older-recordings-will-belong-public/
M. William Krasilovsky and Sydney Shemel, with Contributions by John M. Gross and Jonathan Feinstein, This Business of Music, 10th Ed. , Billboard Books (2007), read Ch. 2, “Recording Artist Contracts," pp. 14 - 28
5.1
https://wiki.harvard.edu/confluence/download/attachments/159221026/Business%20of%20Music%20--%20Recording%20Artists.pdf
M. William Krasilovsky and Sydney Shemel, with Contributions by John M. Gross and Jonathan Feinstein, This Business of Music, 10th Ed. , Billboard Books (2007), read Ch. 3, “Contracts with Minors,” pp. 30 - 32
5.3
https://wiki.harvard.edu/confluence/download/attachments/159221026/Business%20of%20Music%20--%20Minors.pdf
Neil W. Netanel, "Copyright and the First Amendment; What Eldred Misses - and Portends," from Neil Weinstock Netanel, Copyright and Free Speech: Comparative and International Analyses, Oxford University Press (2005) (available at SSRN)
1.8.3
http://ssrn.com/abstract=614642
Newton v. Diamond, Case No. 00-04909 (NM) (MANx) (C.D. Cal.), Rule 26 Expert Disclosure by Defendants Michael Diamond, Adam Horovitz, Adam Yauch, Beastie Boys, Capitol Records, Inc., Grand Royal Records, Inc., Universal Polygram Int'l Pub., Inc., Brooklyn Dust Music and Mario Caldato, Jr. (July 30, 2001), read pp. 1 - 9 and 12 - 13
2.10
https://wiki.harvard.edu/confluence/download/attachments/159221026/Newton%20v.%20Diamond%20Ferrara%20Report.pdf
Olufunmilayo Arewa, "From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context," Case Legal Studies Research Paper No. 04-21, 84 North Carolina Law Rev 547 (2006) (available at SSRN)
3.10.6
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=633241
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