Main Content
Jacqui Cheng, "Judge: ringtones aren’t performances, so no royalties," Ars Technica (October 15, 2009)
4.8.7
http://arstechnica.com/tech-policy/news/2009/10/judge-ringtones-arent-performances-so-no-royalties.ars
Jeff Leeds, "The New Deal: Band as Brand," The New York Times (November 11, 2007)
5.7.3
http://www.nytimes.com/2007/11/11/arts/music/11leed.html
Jenna Wortham, "A Few Dollars at a Time, Patrons Support Artists on the Web," The New York Times (August 9, 2009)
9.1.8
http://www.nytimes.com/2009/08/25/technology/start-ups/25kick.html
Jonathan Zittrain, Kendra Albert, and Alicia Solow-Niederman, "A Close Look at SOPA," The Future of the Internet Blog (December 2, 2011)
6.1.9
http://futureoftheinternet.org/reading-sopa
Joshua Crum, "The Day the (Digital) Music Died: Bridgeport, Sampling Infringement, and a Proposed Middle Ground" 3 BYU Law Rev 943 (2008) (.pdf)
3.9.7
https://digitalcommons.law.byu.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=2417&context=lawreview
Kevin Gray, "Kobalt Changed the Rules of the Music Industry Using Data -- And Saved It," Wired.co.uk (May 1, 2015)
8.1.9
http://www.wired.co.uk/magazine/archive/2015/05/features/kobalt-how-data-saved-music/viewall/
Kevin Gray, "Kobalt Changed the Rules of the Music Industry Using Data -- And Saved It," Wired.co.uk (May 1, 2015)
9.1.4
http://www.wired.co.uk/magazine/archive/2015/05/features/kobalt-how-data-saved-music/viewall
Klementina Milosic, "GRD's Failure," Music Business Journal (August 2015), read all
8.1.4
http://www.thembj.org/2015/08/grds-failure/
Larry Rohter, "Record Industry Braces for Artists' Battles Over Song Rights," The New York Times (August 15, 2011)
5.7.1
http://www.nytimes.com/2011/08/16/arts/music/springsteen-and-others-soon-eligible-to-recover-song-rights.html?pagewanted=all&_r=0
Lawrence Lessig, Free Culture, The Penguin Press (2004) (CC BY-NC 2.0), "Rebuilding Free Culture: One Idea," read pp. 282-286
9.2.1
http://www.free-culture.cc/freeculture.pdf
This book, and all H2O books, are Creative Commons licensed for sharing and re-use with the exception of certain excerpts. Any excerpts from the Restatements of the Law, Principles of the Law, and the Model Penal Code are copyright by The American Law Institute. Excerpts are reproduced with permission, not as part of a Creative Commons license.