Main Content
17 U.S.C. § 512 (.pdf), read §§ 512(c), (d), (f), and (g)
7.13.2
http://www.law.cornell.edu/uscode/pdf/uscode17/lii_usc_TI_17_CH_5_SE_512.pdf
"42 Revenue Streams," Future of Music Coalition, skim all
11.2
http://money.futureofmusic.org/40-revenue-streams//
“5 Notes from a Quiet Year: How Music Survived the Pandemic,” The New York Times (March 11, 2021) (includes Damon Krukowski, “We Couldn’t Tour. So We Started a Union”), read all
11.7
https://www.nytimes.com/interactive/2021/03/11/magazine/live-music-covid.html
Alexi Horowitz-Ghazi, "Music Streaming Giants To Pay $424 Million In Royalty Fees," NPR Morning Edition (March 19, 2021), listen to all
8.5
https://www.npr.org/2021/03/19/979056242/music-streaming-giants-to-pay-424-million-in-royalty-fees
Al Kohn and Bob Kohn, "Kohn on Music Licensing, 4th Ed." (Aspen Publishers 2010) , read pp. 103-138, 159-175; skim remaining pages (.pdf)
4.1
https://canvas.harvard.edu/files/16657881/download?download_frd=1
Amanda Palmer, "The Art of Asking," TED2013 (February 2013), watch
11.4
http://www.ted.com/talks/amanda_palmer_the_art_of_asking.html
Amanda Palmer, "The Dirty Inbox of a Touring Musician, Revealed," blog.amandapalmer.net (May 15, 2010), read all
11.5
http://blog.amandapalmer.net/the-dirty-inbox-of-a-touring-musician-revealed/
Amanda Palmer, "The new RECORD, ART BOOK, and TOUR," Kickstarter (Funding Ended May 31, 2012)
11.9.3
http://www.kickstarter.com/projects/amandapalmer/amanda-palmer-the-new-record-art-book-and-tour
American University Center for Social Media, "Documentary Filmmakers’ Statement of Best Practices in Fair Use" (Issued: November 18, 2005) (.pdf)
3.10.2
http://centerforsocialmedia.org/sites/default/files/fair_use_final.pdf
Anita Wadhwani, "Hitched to a Star," The Tennessean (January 2, 2011) (.pdf)
4.2
https://canvas.harvard.edu/files/16657878/download?download_frd=1
This book, and all H2O books, are Creative Commons licensed for sharing and re-use with the exception of certain excerpts. Any excerpts from the Restatements of the Law, Principles of the Law, and the Model Penal Code are copyright by The American Law Institute. Excerpts are reproduced with permission, not as part of a Creative Commons license.