Main Content
Peter B. Hirtle, "Copyright Term and Public Domain in the United States, 1 January 2017," Cornell University Copyright Information Center (CC BY 3.0)
2.4.1
http://copyright.cornell.edu/resources/publicdomain.cfm
Peter S. Menell and David Nimmer, "Sound Recordings, Works for Hire, and the Termination-of-Transfers Time Bomb" (June 17, 2010) (available at SSRN)
6.3.1
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1626355
Ralston: "Coronavirus Might Kill The Music Industry. Maybe It Needed To Die," Esquire UK (May 8, 2020)
10.5
https://www.esquire.com/uk/culture/a32360709/coronavirus-music-industry/
Randy Lewis, "Beach Boys vs. Katy Perry? A warning, not a lawsuit," Pop & Hiss, The L.A. Times Music Blog (August 5, 2010)
4.1.4.1.1
http://latimesblogs.latimes.com/music_blog/2010/08/beach-boys-katy-perry-a-warning-not-a-lawsuit.html
Resnikoff: "A Comprehensive Comparison of Performance Rights Organizations (PROs) In the US," Digital Music News (February 20, 2018)
8.1.1
https://www.digitalmusicnews.com/2018/02/20/performance-rights-pro-ascap-bmi-sesac-soundexchange/
Resnikoff: "An Insanely Detailed Discussion About the Music Modernization Act," Digital Music News (October 17, 2018), read all
13.3.2.2
https://www.digitalmusicnews.com/2018/10/17/music-modernization-act-details//
Rick Carnes, "Has Music Piracy Killed the 'Recording Artist'?," The Huffington Post (January 3, 2011)
2.1.2
http://www.huffingtonpost.com/rick-carnes/has-music-piracy-killed-t_b_803596.html
Sanchez: “The Live Music Industry Will Be Worth $31 Billion Worldwide by 2022,” Music Business Worldwide (October 26, 2018)
10.3
https://www.digitalmusicnews.com/2018/10/26/latest-live-music-revenue-31-billion-2022/
Sanchez: "What Streaming Music Services Pay (Updated for 2019)," Digital Music News (December 25, 2018)
11.3.1
https://www.digitalmusicnews.com/2018/12/25/streaming-music-services-pay-2019/
Schoonmaker: "ASCAP, BMI, SESAC, SOCAN, and GMR: The Guide to USA & Canada PROs"
8.1.2
https://blog.songtrust.com/guide-to-usa-and-canada-pros
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